Skaņu Mežs 2024

 

Skaņu Mežs festival for adventurous music will host its 22nd edition on 4-5 October at concert hall Hanzas Perons (16a Hanzas street). 

 

Skaņu Mežs has been hailed as “the biggest experimental music festival in the Baltics”, and its stage will draw together adventurous musicians from many different fields, including noise, contemporary music, electro-acoustics and free improvisation as well as hip-hop, metal and punk.

 

The first evening of the festival will feature the following performances:

 

Armand Hammer (USA)

 

The Washington Post have called Armand Hammer “underground rap legends”, and music criticism website The Quietus said the following of their latest full-length album: “It’s a record of flabbergasting sonic diversity and lyrical depth and complexity – an LP that is at once ardently a work of ‘traditional’ hip-hop, and an outlier that extends and deepens the blurred margins that sit beyond the music’s usually accepted borders. [..] Meticulously structured yet fuzzily abstract, cloudily claustrophobic yet aurally vast, it sounds nothing like a traditional rap LP yet definably and definitively adheres to the most crucial characteristics of the genre. It’s certainly a marvel and may well be a masterpiece.”

 

https://www.youtube.com/watch?v=wfJKNUWJvFk

 

The Body & Dis Fig (USA, Germany)

 

The Body, hailed as “extreme-metal titans” (“Pitchfork”) & Dis Fig are a natural pair. Each has pioneered instantly recognizable worlds of sound all their own that defy any traditional categorizations or boundaries. 

 

The Body, Lee Buford and Chip King, continually challenge any conventional conception of metal, collaborating with myriad artists and from the folk-leanings of their work with BIG|BRAVE to their groundbreaking work with the Assembly of Light Choir.

 

Dis Fig, aka Felicia Chen, pushes electronic music into dark extremes, from warped DJ sets to avant production, from being a member of Tianzhuo Chen’s performance-art series TRANCE to being the vocalist with The Bug. 

 

The Body and Dis Fig find kinship in reimagining what it means to make “heavy music”. Their debut Orchards of a Futile Heaven, published by Thrill Jockey, is the perfect synthesis of two forces, twisting melodicism and intoxicating rhythms, layering a dense miasma of distortion with intense beats and a soaring voice clawing its way towards absolution.

 

https://disfig.bandcamp.com/album/orchards-of-a-futile-heaven 

 

Raven Chacon (USA)

 

Pulitzer prize winning composer and experimental musician Raven Chacon has set to perform at Skaņu Mežs last year, yet he could not attend due to personal reasons. In the meantime, he has been awarded the MacArthur Fellowship, the “Genius Grant”, and will perform at Skaņu Mežs 2024 as one of the most highly regarded – and awarded – American experimental musicians of our time. 

 

Raven Chacon is a composer, performer and artist from Fort Defiance, Navajo Nation. His work ranges from chamber music to experimental noise to large scale installations, produced solo and with the Indigenous art collective Postcommodity. 

 

https://www.youtube.com/watch?v=wneitQYFqmY&t=50s 

 

Gundega Šmite and Gunta Gelgote (Latvia)

 

Commissioned by Skaņu Mežs, “Four Electroacoustic Love Poems” will be premiered at the festival by singer Gunta Gelgote. It shines a light not only on Šmite as one of today’s key Latvian composers, but also as a literary talent. The composer admits to have started writing poetry and short stories in childhood – way before she started training in composition, which, as time went on, became her primary vocation. However, since moving to Greece, Šmite has intentionally devoted more time to writing, and, two years ago, her story collection “Greek Suite” (“Grieķu svīta”) was nominated for the Annual Latvian Literature Award (LALIGABA) in the category of “best literary debut”.

 

Deli Girls (USA)

 

Deli Girls is an emotionally charged, bombastic dance punk project based in Brooklyn, NY comprised of vocalist Danny Orlowski and various DJ/producers. In fall 2022, Orlowski started working with DJ/producer Hatechild (head necromancer at Melting Point). The two are connected via over a decade in the NYC underground, and known for hardcore dance mosh pits, and ongoing fund-raving efforts. Orlowski and Hatechild have always shared unforgivingly anti-establishment, queer freak values. “Abolish police, abolish prisons, abolish ICE!”

 

https://www.youtube.com/watch?v=hx0DTX61QYw&t=50s 

 

Dharma Doom (Estonia)

 

Dharma Doom is an experimental electronic producer and live performer. Residing at Shelter (Estonian event series and collective), he often adopts a ritualistic and archaic approach to sound, infusing his mixes with layers of noise, drones, and distorted percussion rhythms. As a member of the trio KEETAI, he has a background in genres such as noise, power electronics, and drone metal, all of which significantly influence his works.

 

https://halalclub.bandcamp.com/album/breeds 

 

Undveld (Lithuania)

 

Skaņu Mežs 2024 will be concluded with a performance by Undveld, an electronic music producer from Vilnius, Lithuania. 

Undveld is a prolific Lithuanian artist known for traversing the realms of ambient, techno, industrial, and noise. His creative output displays refined stylistic consistency as well as bold experimentalism, signifying him as one of the scene’s exceptional talents. His discography reflects a commitment to exploring a broad spectrum of electronic music, from the meditative and minimal to the intense and abrasive.

https://undveld.bandcamp.com/album/solsticija 

 

Skaņu Mežs is supported by State Culture Capital Foundation of Latvia, Riga municipality, Danish Cultural Institute, Culture Ireland and Trust for Mutual Understanding. 

 

Skaņu Mežs is part of the SHAPE+ platform for innovative music and interdisciplinary art and sound art project “tekhnē”, both supported by the European Union and the Ministry of Culture of the Republic of Latvia. SHAPE+ is also supported by Pro Helvetia.


Skaņu Mežs is also part of  festival networks NERDS (North European Resonance and Dissonance Society) and ICAS.

 

The festival collaborates with such local businesses as Mans Robots, Valmiermuiža, Laima, Staburadze, Augļu Serviss, Very Berry and Balta.

 

Media partners: The Quietus, TVNET, Satori, Rīgas Laiks, Ir, Radio NABA and Mūzikas Saule.

More info: www.skanumezs.lv

Skaņu Mežs 2024

Skaņu Mežs festival for adventurous music will host its 22nd edition on 4-5 October at concert hall Hanzas Perons (16a Hanzas street). 

 

Skaņu Mežs has been hailed as “the biggest experimental music festival in the Baltics”, and its stage will draw together adventurous musicians from many fields of music, including noise, contemporary music, electro-acoustics and free improvisation as well as hip-hop, metal and punk.

 

The first evening of the festival will feature the following performances:

 

Autechre (UK)

 

Autechre are an English electronic music group consisting of Rob Brown and Sean Booth, both natives of Rochdale, Greater Manchester. Formed in 1987, the duo are one of the most prominent acts signed with Warp Records. Their music has exhibited a gradual shift in aesthetic throughout their career, from their earlier work with clear roots in techno, electro and hip hop to later albums that are often considered more experimental in nature, featuring complex patterns of rhythm and subdued melodies.

 

The Autechre live experience is a classically pitch-dark mind-warping audio affair. Meaning, their live shows have been held entirely in the dark for the last ten years or so. 

Autechre have been described as “iconic” (“Resident Advisor”), “wildly influential” (“Mixmag”) and “unmatched experimental pioneers” (“Fact Magazine”). 

 

https://autechre.bandcamp.com/album/nts-session-1

 

Fred Frith (United Kingdom, USA)

 

Fred Frith is a pioneer of the extended electric guitar. He learned to compose in Henry Cow, developed his song-writing skills in Art Bears, explored his multi-instrumentalism in Skeleton Crew, rocked the house with Massacre and is still doing all of those things, having been in one band or another continuously since 1964.

 

Meanwhile his work has been performed by ensembles, string quartets, chamber orchestras, and a whole range of groups and artists in the ever-expanding field of semi-popular music. Fred composes extensively for film and dance, and taught improvisation for years at Mills College in Oakland, California and the Musik Akademie in Basel, Switzerland. 

 

His passion for improvising, evident from the beginning, has increasingly led him to work with artists who don’t necessarily define themselves as improvisers. 2024 marks the 50th anniversary of Fred’s pioneering first  record, Guitar Solos, but this is his first ever visit to Latvia.

 

https://www.youtube.com/watch?v=23SGT_XAt58

 

Charmaine Lee (Australia, USA)

 

Charmaine Lee (b. 1991) is an Australian vocalist based in New York. Using the voice, feedback, and live processing, Lee’s practice is primarily concerned with risk-taking, playfulness, and improvisation. She has been recognized as “extraordinary” by New Yorker and has been featured in New York Times, Washington Post, and Wire Magazine. As a composer, Lee has been commissioned by leading institutions including the International Contemporary Ensemble, Wet Ink Ensemble, and HBO Max. Lee is an Emergent Ventures winner (2024) and was an Artist-in-Residence at ISSUE Project Room (2019) and a Van Lier Fellow at Roulette (2021). 

 

https://www.youtube.com/watch?v=swQpqZxp8bs

 

Vomir (France)

 

Romain Perrot (born 1973), better known by his stage name Vomir (French for “vomiting” or “regurgitate”), is a French noise music artist based in Paris.Since beginning his career in 1996, Vomir has appeared in over 300 releases, including singles, albums and collaborations with other noise artists. The majority of his albums were produced by his own independent label, Decimation Sociale. Vomir positions his approach to music as an “anti-” approach, with a radical and nihilist stance. He spearheads the harsh noise wall movement, an extreme subgenre of noise music which he describes as “no ideas, no change, no development, no entertainment, no remorse”.

 

https://www.youtube.com/watch?v=Y45d3HAHOaQ

 

Jennifer Walshe and Neil Luck (Ireland)

 

“The most original compositional voice to emerge from Ireland in the past 20 years” (“The Irish Times”) and “Wild girl of Darmstadt” (“Frankfurter Rundschau”), composer and performer Jennifer Walshe was born in Dublin, Ireland. Her music has been commissioned, broadcast and performed all over the world. She has been the recipient of fellowships and prizes from the Foundation for Contemporary Arts, New York, the DAAD Berliner Künstlerprogramm, the Internationales Musikinstitut, Darmstadt and Akademie Schloss Solitude among others.

 

https://www.youtube.com/watch?v=AMlhFLFK1fQ 

 

Neil Luck is a composer based in the UK. His work often explores the pathos and interaction between live human performance and multimedia, and attempts to frame the act of music making as something curious, or weird, or useful, or spectacular in and of itself. Neil’s work takes a range of forms from music-theatre, to concert works, radio, public projects and recordings. He is the founder and director of the music-theatre ensemble ARCO; an experimental music-theatre company.

 

https://www.youtube.com/watch?v=yS7eRlv1E_I

 

2K88 (Poland)

 

2K88 — fka 1988, aka Przemysław Jankowiak — is a music producer, graphic designer, and audio director raised in the Poland of the 1990s and on the pioneering rap records of that time. The rawness, chunkiness, and paranoia he took from this period have always been an integral part of his music. They were there when he made his first homemade beats and stayed with him when, in the following years, he distanced himself from hip-hop, going deeper into the world of sampling experiments and the post-genre avant-garde. Later, he and Robert Piernikowski created the universe of the duo Syny – an irreal spectral/ontological phenomenon built out of memories, dreams, and bass, rap, dub, and smoke.

 

2K88 is an artist of the SHAPE+ platform for innovative music and interdisciplinary art, co-funded by the European Union and Pro Helvetia.

 

https://www.youtube.com/watch?v=aDZZJv7OGK0

 

Nick Klein (USA, Germany)

 

Nick Klein is an artist working in sound and art and sometimes sound art with a lean towards the social potential in those modalities as they interact. Klein has recorded a large amount of music and also has shown work in visual art contexts. Klein is uninterested in the prohibitive ideological tropes and circumstances that both contexts offer, and focuses the intent of his work on trying to see what productive energy comes from the friction between the two. Klein likes loud volume, cooking, offline community building, records, bars, synthesizers, and comedy. Klein is currently located in Berlin.

 

“The visceral sound of a Nick Klein record isn’t something that can be easily sourced or replicated,” writes “Miami New Times”. “This is due in part to Klein’s approach to texture, volume, and recording: In his hands, the medium becomes shaped by the material in an inescapable way.”

 

https://www.youtube.com/watch?v=faDNgIAZ8Vo 

 

Tintin Patrone (Philippines)

 

Tintin Patrone is a German-Filipino sound and performance artist who is captivated by the exploration of interconnections among music, art, sound, and experimental forms of expression. Her creative works revolve around the visual aspects of music and the ways in which personal and societal connections are established with it. By involving herself with robots and artificial intelligence in her artistic practice, Tintin Patrone challenges established notions of human subjectivity and physical presence. Using a trombone as her main instrument and modulation devices, she meticulously crafts soundscapes with sustained tones, inviting listeners into contemplative atmospheres.

 

https://soundcloud.com/stoffexyz/tintin-patrone-when-you-and-your-goat-find-bread-album-preview 

 

Skaņu Mežs is supported by State Culture Capital Foundation of Latvia, Riga municipality, Danish Cultural Institute, Culture Ireland and Trust for Mutual Understanding. 

 

Skaņu Mežs is part of the SHAPE+ platform for innovative music and interdisciplinary art and sound art project “tekhnē”, both supported by the European Union and the Ministry of Culture of the Republic of Latvia. SHAPE+ is also supported by Pro Helvetia.

 

2K88 is a SHAPE+ artist, while the new works by Nick Klein and Tintin Patrone are created as part of “tekhnē”.


Skaņu Mežs is also part of  festival networks NERDS (North European Resonance and Dissonance Society) and ICAS.

 

The festival collaborates with such local businesses as Mans Robots, Valmiermuiža, Laima, Staburadze, Augļu Serviss, Very Berry and Balta.

 

Media partners: The Quietus, TVNET, Satori, Rīgas Laiks, Ir, Radio NABA and Mūzikas Saule.

More info: www.skanumezs.lv